KEN NAHOUM
SAN GIMIGNANO MUSEUM
Ken Nahoum was invited to the San Gimignano Museum in Italy to showcase his work and launch his book. A rare honour for a photographer whose archive spans three decades of cultural history. The exhibition brought together some of his most iconic images in one of Tuscany's most celebrated cultural spaces. A testament to a body of work that has always belonged on walls.


INTERVIEW IN SPAIN
Ken Nahoum's path into photography was anything but conventional. In this interview, Ken speaks candidly about risk, identity, and finding his own voice shaped by years of working alongside some of the world's most iconic figures, learning from them, and weaving that experience into a visual language that is entirely his own.

LEN'S MAGAZINE
Ken Nahoum was recently featured in an exclusive interview with Lens Magazine, one of the world's leading photography publications. In conversation with photographer Jose Jeuland, Ken opened up about his journey from the streets of Brooklyn to the studios of Los Angeles — his early years assisting legends like Klaus Lucka and Herb Ritts, his iconic shoots with Tupac, Snoop Dogg, and Dr. Dre at the height of Death Row Records, and the philosophy behind his process. "You find the thread, and you pull it. Then you make your subject comfortable, and the genuine portraits emerge." The feature spans his five-decade archive — from supermodels to hip hop icons, athletes to artists — cementing his place as one of the most distinctive portrait photographers of his generation
MILLION DOLLAR LISTING
Ken's SoHo loft — a space he built by merging five apartments into one — was featured on Million Dollar Listing New York. Listed at $35 million, the property became as much a cultural landmark as a home, hosting some of New York's most memorable gatherings. A space that, like Ken's work, was never ordinary.

SHOUTOUT ATLANTA
Ken Nahoum grew up in Bensonhurst, Brooklyn, where the options were limited and the expectations even more so. He chose photography over conformity, a decision that took him from assisting in New York studios to shooting Muhammad Ali, Tupac Shakur, and collaborating with Death Row Records at the height of its cultural moment. In this artcile, he talks about his work over three decades building one of the most distinctive celebrity archives in the industry defined by rare access, an uncompromising eye and the willingness to bet on himself every single time.









